In 1969, when I originally wrote TOMMY with The Who, nobody had ever written popular music songs about trauma, nobody talked about bullying, domestic sexual abuse was a subject that was virtually censored. Then, in 1993, working with Des on the staged theatre piece, we broke the established rules for a musical show. Now, the current generation is breaking all of those rules again—and what Des has achieved with this incredible new production honors them and their courage and audacity. I can’t wait to see how this newly empowered show connects with younger Broadway audiences today. I hope the younger ones come, for they will identify in an entirely new and important way with Tommy’s tumultuous life. Meanwhile, longtime fans of Tommy, The Who and all their music will be blown away by this new show.
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